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BUT A SWEET SYMPHONY

Something a little lighter, more open tonight …
The heel design inspired by the structure under the lid of the Piano … some section open, some sections closed …
While the keys take centre stage on the front strap.

I like to play with words as well play with shoes… and when perusing on a title for this post, the word Symphony came to mind, closely followed by the incredible Verve song … and then with a sweet and satisfying note of synchronicity, I find this beautiful cover of the same song, recorded with a perspective overlooking the very details that inspired the design above.

Encore …

INSPIRATIONS FROM RESONATIONS …

… inspirations continue to resonate from the beauty inside a Fazioli Piano
A platform wedge mule.
Holes on the frame – that I assume are an integral part of being able to create the depth of sounds – provide a lovely inspirations for the detail through the heel of the wedge.
The horizontal structure bars become a moulded section of the vamp, that provides a secure fit to the woven, textile upper – inspired by the pattern created by the strings and ribbons on the bridge…
And a raised footbed reflecting the levels in the frame.

 

A FAZIOLI INSPIRED HEEL …

Ever since my last post, I’ve been intrigued to see what might transpire by using the patterns and detail under the lid of a Fazioli Piano, as inspiration for a collection of shoes.
The lines that provide the structure of the plate.
The curves on the bridge, and shapes they create.

A plain bootie style helps to enhance this initial idea for a heel.

 

INSPIRATIONS THAT RESONATE

The search for inspirations that resonate can be a fascinating part of the process when designing shoes and developing ideas.
It’s an intriguing journey and results in more unique, distinctive ideas when the source of inspiration is a little more unusual.

I’m neither a pianist nor a connoisseur of Pianos, but since my last post, I’ve been intrigued by the various tenuous links I started to notice.

The immediate visual, scenic connection, of a piano being played on a beach reminded me of The Piano; the 1993 film written and directed by Jane Campion. It had been years since I’d seen the film and was curious about the detail, so I sat and rewatched it a few nights ago. Aspects of the opening scenes – the protagonist being rowed across a sea and landing at a dramatic beach – reminded me of Portrait Of A Lady On Fire, which I wrote about in  New Letters recently.

The night preceding The Piano, I’d watched The Power Of The Dog; a slow burning masterpiece also written and directed by Jane Campion. I’m not sure whether it’s a theme in her movies, but there was – playing a smaller but significant role – a piano!

FAZIOLI

Nick Cave’s tongue-in-cheek letter written in response to a fan also came to mind.
He’d been asked which Piano he’d played for his Idiot Prayer performance at the Alexandra Palace.
It was a Fazioli.

Handcrafted in the North East of Italy, in a small town called Sacile.
They are a beautiful instrument.
Herbie Hancock won’t play anything else, and has them written into his contracts.

The view inside a Fazioli is exquisite. An elegant colour palette and intricate pattern of strings; perfectly positioned and rich in vibrations.

All laid beautifully inside their polished majestic case.

“An instrument that reacts to your thoughts and leaves nothing else to desire! …
No other instrument inspires so much love, joy, freedom and brilliance as Fazioli!”
Inspiring words from Georgian pianist Ketevan Sepashvili.